Eduard Künneke (also seen as Edward and spelled Künnecke) (27 January 1885 – 27 October 1953 in Berlin) was a German composer notable for his operettas, operas, theatre music and some orchestral works.
Kuenneke was born in Emmerich, Lower Rhine. After obtaining his school diploma he moved in 1903 to Berlin where he studied musicology and the history of literature; he translated Beowulf into German. He was subsequently accepted into Max Bruch's master-school for musical composition attached to the Royal Academy of Arts. By 1907 Kuenneke was already a repetiteur and chorus master at a Berlin operetta theatre, the Neues Operettentheater am Schiffbauerdamm, but relinquished his post as chorus master after his opera Robins Ende (1909) was premiered in Mannheim and Coeur-As (1913) in Dresden. Thereafter he received productions at 38 German opera houses. From 1908 to 1910 he also worked as a music director for Odeon Records and conducted (without label credit) two of the earliest complete symphony recordings, the Beethoven Fifth and Sixth Symphonies with the "Grosses Odeon Streich-Orchester".
In 1911 Künneke became a conductor of the German Theatre in Berlin, where he wrote incidental music for Max Reinhardt including music for Reinhardt’s staging of Part Two of Goethe's Faust. With the coming of The Great War he became a horn player and conductor in a regimental band. In 1916 the focus of his interests began to shift to musical comedy. However, due to financial woes he took a post as serial conductor for Heinrich Berté's prettified Schubert pastiche Das Dreimaderlhaus (Blossom Time). This inspired him to write an equally maudlin singspiel Das Dorf ohn Glocke (The Village without a Bell)(1919). Subsequently he composed one operetta after another, altogether more than a dozen, and all at a high level of craftsmanship. He toured the US but, as one writer put it, "his experiences were not exactly positive". During the National Socialist years he advanced to become the "Master of German Operetta".
The trauma of the war years had its effect upon Künneke and with a heart complaint he withdrew into the solitude of his study as an "independent scholar". He died on 27 October 1953. At the funeral ceremony in Berlin he was lauded as the last great figure and noblest musician of Berlin operetta.
Künneke's graceful music is distinguished by its rhythm and striking harmonies. His best-known work is the 1921 operetta Der Vetter aus Dingsda; many of his songs are still familiar today.
In 1926, when his operetta Lady Hamilton was premiered in Breslau, he formed what became a long friendship with the conductor Franz Marszalek. Marszalek was a dedicated advocate of Künneke's music, and during his tenure at the Westdeutscher Rundfunk in Cologne (1949–65) made numerous recordings of his works (many currently unavailable) with the Cologne Radio Orchestra and the Cologne Radio Symphony Orchestra.
Künneke's daughter was the actress and singer Evelyn Künneke.
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Some of their strengths
Eduard Künneke has many admirable traits.
Based on spiritual traditions from around the world, they are someone who can be described as Intellectual, Independent, Analytical, Innovative, Intuitive, Intense, and Ambitious.
Idealistic and Altruistic
According to Mysticism’s Astrology tradition, Eduard Künneke is someone who is an idealist and an altruist who possesses an innovative, intellectual, and analytical mind, and who approaches life in an optimistic and easygoing manner. A person who seems to identify with family, heritage and ancestry.
Adventurous and Free
Based on Daoism’s Ba-Zi or ‘Chinese Zodiac’ tradition, people who know Eduard Künneke well know them as someone who can be talented, wayward and free, like a big river or the ocean.
Ambitious and Forceful
According to Hinduism’s Jyotisha or ‘Vedic Astrology’ tradition, many would also describe Eduard Künneke as someone who is ambitious, hard-working, determined, and intelligent.
A person who has a knack for identifying opportunities, has amazing concentration and focus, who can work independently, who likes starting new things, and who is somewhat of an intellectual.
Exacting and Achievement-oriented
Based on the Mayan Tzolk’in or ‘Mayan Astrology’ tradition, Eduard Künneke is someone who has very high expectations for people, and who can be extremely focused on achieving goals and objectives.
They are also someone who is balanced, stable, and energetic, who likes the idea of home and family, and who is very comfortable being the person in charge.
Altruistic and Innovative
According to Judaism’s Kabbalah tradition, Eduard Künneke tends to be someone who sacrifices things for the good of others and wants to do "good" in the world. Who is often thought of as an innovator or rebel who thrives when trying to chase a breakthrough of some sort, who has a clear and sound mind, and who can be charming and sociable.
Some of Eduard Künneke's challenges
While Eduard Künneke has many strengths, nobody is perfect. They also have some challenging traits they need to manage.
For example, Eduard Künneke can be Unrealistic, Rebellious, Emotionally Distant, Indecisive, Complicated, Brusque, and Relentless.
Rebellious and Emotionally Distant
One of Eduard Künneke's key challenges is that they are someone who can be rebellious and emotionally distant.
Eduard Künneke must also exercise caution as they can be short-tempered and aggressive.
Relentless and Inflexible
Eduard Künneke is someone who can be relentless, obsessive, and inflexible, who can be confrontational with work colleagues, can have difficulty communicating feelings and be somewhat reclusive, and who can be self-destructive, overindulgent, and extravagant.
Serious and Callous
Finally, Eduard Künneke also can be too giving, come across as too "high and mighty", and can have a hard time expressing feelings.
