Jean Dominique Antony Metzinger (24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Cézannian component, leading to some of the first proto-Cubist works.
From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's Note sur la Peinture, published in 1910. Before the emergence of Cubism, painters worked from the limiting factor of a single view-point. Metzinger, for the first time, in Note sur la peinture, enunciated the interest in representing objects as remembered from successive and subjective experiences within the context of both space and time. Jean Metzinger and Albert Gleizes wrote the first major treatise on Cubism in 1912, entitled Du "Cubisme". Metzinger was a founding member of the Section d'Or group of artists.
Metzinger was at the center of Cubism both because of his participation and identification of the movement when it first emerged, because of his role as intermediary among the Bateau-Lavoir group and the Section d'Or Cubists, and above all because of his artistic personality. During the First World War Metzinger furthered his role as a leading Cubist with his co-founding of the second phase of the movement, referred to as Crystal Cubism. He recognized the importance of mathematics in art, through a radical geometrization of form as an underlying architectural basis for his wartime compositions. The establishing of the basis of this new perspective, and the principles upon which an essentially non-representational art could be built, led to La Peinture et ses lois (Painting and its Laws), written by Albert Gleizes in 1922–23. As post-war reconstruction began, a series of exhibitions at Léonce Rosenberg's Galerie de L'Effort Moderne were to highlight order and allegiance to the aesthetically pure. The collective phenomenon of Cubism—now in its advanced revisionist form—became part of a widely discussed development in French culture, with Metzinger at its helm. Crystal Cubism was the culmination of a continuous narrowing of scope in the name of a return to order; based upon the observation of the artist's relation to nature, rather than on the nature of reality itself. In terms of the separation of culture and life, this period emerges as the most important in the history of Modernism.For Metzinger, the classical vision had been an incomplete representation of real things, based on an incomplete set of laws, postulates and theorems. He believed the world was dynamic and changing in time, that it appeared different depending on the point of view of the observer. Each of these viewpoints were equally valid according to underlying symmetries inherent in nature. For inspiration, Niels Bohr, the Danish physicist and one of the founders of quantum mechanics, hung in his office a large painting by Metzinger, La Femme au Cheval, a conspicuous early example of "mobile perspective" implementation (also called simultaneity).
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Some of their strengths
Jean Metzinger has many admirable traits.
Based on spiritual traditions from around the world, they are someone who can be described as Creative, Imaginative, Intuitive, Compassionate, Loyal, Intellectual, and Optimistic.
Intuitive and Imaginative
According to Mysticism’s Astrology tradition, Jean Metzinger is someone who is a highly intuitive, creative and imaginative person who is very loyal, caring and compassionate to others. A person who seems to identify with family, heritage and ancestry.
Helpful and Supportive
Based on Daoism’s Ba-Zi or ‘Chinese Zodiac’ tradition, people who know Jean Metzinger well know them as someone who can be accepting, supportive, and productive, like a garden.
Truthful and Kind
According to Hinduism’s Jyotisha or ‘Vedic Astrology’ tradition, many would also describe Jean Metzinger as someone who is honest, compassionate, imaginative, and instinctual.
A person who enjoys new challlenges, is a magnet for attracting other creative types, good at identifying opportunities, and who is good at forming loyal, lifelong friendships.
Stable and Creative
Based on the Mayan Tzolk’in or ‘Mayan Astrology’ tradition, Jean Metzinger is someone who thrives in volatile situations, and who tends to be a source of stability and comfort for others who are experiencing challenging times .
They are also someone who is confident and creative, and who has a love for starting new projects, inventing new things, and giving back to the community.
Traditional and Patient
According to Judaism’s Kabbalah tradition, Jean Metzinger tends to be someone who is a patient person that is very emotional, has a very sharp memory, has an ability to understand people, and who tends to be traditional and frugal.
Some of Jean Metzinger's challenges
While Jean Metzinger has many strengths, nobody is perfect. They also have some challenging traits they need to manage.
For example, Jean Metzinger can be Impulsive, Emotional, Standoffish, Rebellious, Emotionally Distant, Short-tempered, and Unrealistic.
Emotional and Standoffish
One of Jean Metzinger's key challenges is that they are someone who can be emotional and standoffish.
Unrealistic and Indecisive
Jean Metzinger is someone who can be unrealistic, indecisive, and lacking in confidence, who can be impulsive when it comes to making important decisions, have difficulty collaborating with others, can be argumentative and not willling to accept criticism, and who can be disappointed by the high expectations they place on others.
Sensitive and Money-oriented
Finally, Jean Metzinger also can have mood swings, be overly sensititive, and be a bit rigid and materialistic.
