Massimo Girotti (18 May 1918 – 5 January 2003) was an Italian film actor whose career spanned seven decades.Born in Mogliano, in the province of Macerata, Girotti developed his athletic physique by swimming and playing polo. While studying engineering, he attracted the attention of Mario Soldati, who offered him a small part in the film Dora Nelson (1939), but it was not until later, in Alessandro Blasetti's La corona di ferro (The Iron Crown) (1941) and Roberto Rossellini's Un Pilota ritorna (A Pilot Returns) (1942), that he began to make an impression as a serious actor. In 1943 came a turning point in his career when Luchino Visconti cast him opposite the torrid Clara Calamai in Ossessione (Obsession), an earlier adaptation of the same novel on which Hollywood's The Postman Always Rings Twice is based. The film marked, in a sense, the birth of Italian neo-realism. Some of his notable post-war films include Caccia tragica (The Tragic Hunt) (1946) by Giuseppe De Santis and In nome della legge (1949) (In the Name of the Law) by Pietro Germi.
In 1950, he starred opposite Lucia Bosé in Michelangelo Antonioni's first full-length feature, Cronaca di un amore (Story of a Love Affair) (1950). In 1953, he played Spartacus in an Italian epic film known in the US as Sins of Rome and then, returned to work again for Visconti, in Senso (1954), giving perhaps the finest performance of his career. In the years which followed, he appeared in many mainly Italian films for directors such as Lizzani, Bolognini, Vittorio Cottafavi, Lattuada, but it was not until 1968 that he once again played a role worthy of his talents - that of the father in Pasolini's Teorema (Theorem) with Terence Stamp and Silvana Mangano. Two years later, Pasolini cast him as Creonte opposite Maria Callas in his Medea (1969). In 1972, he was in Bernardo Bertolucci's Last Tango in Paris. That same year he made a rare appearance in a horror film when he agreed to a supporting role in Baron Blood as a favor to its director Mario Bava.
He continued to act in character roles for the next thirty years. Some of the films he appeared in have been notable, including Joseph Losey's Monsieur Klein (1976) with Alain Delon and Jeanne Moreau, the 1985 television miniseries Quo Vadis?, Roberto Benigni's Il mostro (The Monster) (1994).
He died in Rome of a heart attack after having just completed his last film, Ferzan Özpetek's La Finestra di fronte (Facing Windows) (2003).
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Some of their strengths
Massimo Girotti has many admirable traits.
Based on spiritual traditions from around the world, they are someone who can be described as Curious, Strong, Perseverent, Artistic, Sophisticated, Organized, and Passionate.
Strong and Diligent
According to Mysticism’s Astrology tradition, Massimo Girotti is someone who is a strong, diligent, and trustworthy person who approaches life with honesty and perseverance, but who is also physical, sensual, and artistic. A person who sees life as a journey not a destination.
Adaptable and Versatile
Based on Daoism’s Ba-Zi or ‘Chinese Zodiac’ tradition, people who know Massimo Girotti well know them as someone who can be adaptable, flexible, and polite, like a flower or a sapling.
Methodical and Exacting
According to Hinduism’s Jyotisha or ‘Vedic Astrology’ tradition, many would also describe Massimo Girotti as someone who is careful, methodical, and a perfectionist.
A person who forms successful business partnerships, who appreciates the variety the world has to offer, who takes a frugal approach to life and tends to be a workaholic, and who engages in things that let them express their opinion.
Dynamic and Imaginative
Based on the Mayan Tzolk’in or ‘Mayan Astrology’ tradition, Massimo Girotti is someone who can bring a purifying element to situations, and who is a risk-taker with vision and imagination.
They are also someone who is reflective, mysterious, and purposeful, who enjoys quiet and solo work, and who thrives in positions where there is no need to report to someone else.
Patient and Compassionate
According to Judaism’s Kabbalah tradition, Massimo Girotti tends to be someone who approaches life with grace and compassion, and who has a powerful and commanding personality. Who can be analytical, patient, and deliberate, avoiding risks and seeking out stability instead.
Some of Massimo Girotti's challenges
While Massimo Girotti has many strengths, nobody is perfect. They also have some challenging traits they need to manage.
For example, Massimo Girotti can be Stubborn, Idle, Difficult, Perfectionist, Sensitive, Critical, and Temperamental.
Stubborn and Idle
One of Massimo Girotti's key challenges is that they are someone who can be seen as stubborn and, at times, lazy.
Massimo Girotti must also exercise caution as they can have a hard time reconciling wants and needs.
Sensitive and Critical
Massimo Girotti is someone who can be insecure, critical, and pessimistic, who can have difficulty relaxing, can be possessive and jealous, and who can have difficulty listening to others' opinions and perspectives and make hasty decisions.
Materialistic and Aggressive
Finally, Massimo Girotti also can be materialistic, emotional, aggressive, stubborn, inconsistent, and be prone to big temper outbursts.
