Alejandro Sawa Martínez (15 March 1862 – 3 March 1909) was a Spanish bohemian novelist, poet, and journalist.
Born in Seville, Sawa was of Greek origin. His father was an importer of wine and sundries. After a brief flirtation with the priesthood and a stint at the seminary of Málaga, he underwent a sudden conversion to vehement anticlericalism and thereafter studied law in Granada. He arrived in Madrid in 1885, "absurd, brilliant, and starving" (Valle-Inclán, Bohemian Lights). There he led an impoverished, marginal existence.
My early days in Madrid were stupendously vulgar - why not say it? - and noble as well. On the same winter day that Pi y Margall anointed me with his reverend right hand, ordaining me into the intellectual hierarchy, I had to sleep in a stairwell on account of having found no place cozier than that in which to take shelter. I know many things about the land called Poverty. But I'm not a complete foreigner to the star-studded infinities that lie beyond.
In 1889, he was lured to Paris by its artistic scene. For a time he worked on the staff of the Garnier publishing house, editing an encyclopedic dictionary, and had ample opportunity to strike up friendships with many of the luminaries of Parnassian and Symbolist literature, though he himself preferred the Romanticism of Victor Hugo. He translated the works of the Goncourt brothers and enjoyed what he would later regard as his "golden years". He married a Burgundian, Jeanne Poirier, and fathered a girl, Elena.
On his return to Madrid in 1896 he plunged headfirst into journalism, serving as editor of El Motín, El Globo, and La Correspondencia de España, and as a contributor to ABC, Madrid Cómico, España, and Alma Española, among others. His last years were marked by his descent into blindness and mental illness. Ironically, it was this period that yielded his only artistic success, a stage adaptation of Alphonse Daudet's Kings in Exile, in the winter of 1899. His own writings, which were largely journalistic, continued to appear in the most prestigious Spanish newspapers even as his body and mind progressively deteriorated. He wrote, "I wouldn't have wanted to be born, but I find it unbearable to die." He did so on 3 March 1909, blind and insane, in his modest house on calle Conde Duque de Madrid. Shortly before his death, the great bohemian had declared:
Death, death! Now it's all I dream about. Dying and going to wherever villainy isn't the prevailing custom, where affirmations and negations at least carry the philosophical sense that lexicons assign to them, where honor starts at the soul instead of the lips. Dying, getting out of here, for dignity's sake, for art's sake, for the sake of self-preservation! I still feel like the healthy one in the middle of this leper colony!
Sawa's personality was an inspiration to the novelists of the Generation of '98, notably Pío Baroja in The Tree of Knowledge and Valle-Inclán in Bohemian Lights. Max Estrella, the protagonist of the latter, was largely inspired by Sawa, who, though outwardly uncultivated, possessed a forceful personality and a style redolent of Hugo and Verlaine, men whom he would claim as his personal friends, along with Alphonse Daudet, Rubén Darío, and Manuel Machado. (The latter would compose an epicede in his honor.) After Sawa's death, Valle-Inclán wrote to Rubén Darío:
I've mourned for him, for me, for all the poor poets. I can't do anything, neither can you, but if enough of us were to join together we could do something. Alejandro left a book unedited. The best he's ever written. A journal of hopes and woes.
The failure of every attempt he made to get it published, and a letter from El Liberal rescinding an assignment worth seventy pesetas, were what drove him mad in his final days. A desperate madness. He was on the verge of killing himself. He died like a king in a tragedy: mad, blind, and furious.
Posthumously published in 1910 with a prologue by Rubén Darío, Iluminaciones en la sombra marked a modernist departure from the naturalist style in which he had written his earlier novels: La mujer de todo el mundo (1885), Crimen legal (1886), Declaración de un vencido (1887), Noche (1889), Criadero de curas (1888), and La sima de Igusquiza (1888).
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Some of their strengths
Alejandro Sawa has many admirable traits.
Based on spiritual traditions from around the world, they are someone who can be described as Imaginative, Kind, Creative, Passionate, Honest, Energetic, and Generous.
Soulful and Understanding
According to Mysticism’s Astrology tradition, Alejandro Sawa is someone who is a soulful, understanding, and conscious person, who combines smarts with a deep talent for creativity and imagination. A person who is a bit of a "lone wolf".
Active and Precise
Based on Daoism’s Ba-Zi or ‘Chinese Zodiac’ tradition, people who know Alejandro Sawa well know them as someone who can be tough, active, and sharp, like a sword.
Truthful and Kind
According to Hinduism’s Jyotisha or ‘Vedic Astrology’ tradition, many would also describe Alejandro Sawa as someone who is honest, compassionate, imaginative, and instinctual.
A person who enjoys new challlenges, is a magnet for attracting other creative types, good at identifying opportunities, and who is good at forming loyal, lifelong friendships.
Altruistic and Ambitious
Based on the Mayan Tzolk’in or ‘Mayan Astrology’ tradition, Alejandro Sawa is someone who is the type of person who rallies behind a group, cause, or community, and who enjoys being dedicated to a higher cause of some sort.
They are also someone who is calm, comforting, and stable, and who loves stability and being a good friend and loyal partner.
Creative and Imaginative
According to Judaism’s Kabbalah tradition, Alejandro Sawa tends to be someone who is sensitive, imaginative, creative, and somewhat of a dreamer. Who is intuitive and compassionate, and who has a friendly, easygoing, calming and relaxing effect on people and for whom friends and family mean the world.
Some of Alejandro Sawa's challenges
While Alejandro Sawa has many strengths, nobody is perfect. They also have some challenging traits they need to manage.
For example, Alejandro Sawa can be Indecisive, Unrealistic, Difficult, Perfectionist, Short-tempered, Impulsive, and Worrying.
Indecisive and Unrealistic
One of Alejandro Sawa's key challenges is that they are someone who can come across as indecisive and unrealistic.
Alejandro Sawa must also exercise caution as they can be excessive and unrealistic, and can have difficulty dealing with responsibility, authority, or criticism.
Unrealistic and Indecisive
Alejandro Sawa is someone who can be unrealistic, indecisive, and lacking in confidence, who can be impulsive when it comes to making important decisions, have difficulty collaborating with others, can be argumentative and not willling to accept criticism, and who can be disappointed by the high expectations they place on others.
Lethargic and Unrealistic
Finally, Alejandro Sawa also can be too soft, lazy and lethargic, and who can have difficulty finding others who share a similarly dreamy outlook on life.
