Marguerite Carré (née Giraud, also known as Marguerite Giraud-Carré) (16 August 1880 – 26 November 1947) was a French soprano who created numerous roles at the Paris Opéra-Comique in the course of her career.
She was born in Cabourg, France, the daughter of French baritone Auguste Louis Giraud and Jenny Gabrielle Vaillant of Paris (9 May 1857 – 1903). Auguste Giraud was the director of the Graslin Theater in Nantes where Carré made her stage debut in 1899 as Mimì in Puccini's La bohème. Descriptions of her performance were favorable. "She was very musical, gifted with a charming voice and intelligent actress."She married Albert Carré, the director of the Opéra-Comique in 1902 and became known by her married name, Marguerite Carré. Their daughter Jenny Carré (1902–1945) would eventually take up a career in theater costume design. The couple divorced in 1924, but remarried in 1929.In Paris, Carré was hailed as a "celebrated soprano" who created roles in 15 works at the Opéra-Comique. She was the first in Paris to perform Cio-Cio-San, the leading role in Puccini's Madama Butterfly. In addition, she earned acclaim for her work in the title role of Massenet's opera Manon and as Mélisande in Pelléas and Mélisande, the only opera by Debussy.When American soprano Rosa Ponselle decided to add the role of Carmen to her repertoire, she studied with the Carré's for two months in 1935 before her Metropolitan Opera performance.
Carré died in 1947 at the age of 67 in Paris and her tomb can be found at the Père Lachaise Cemetery in Paris (89th division).
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Some of their strengths
Marguerite Carré has many admirable traits.
Based on spiritual traditions from around the world, they are someone who can be described as Energetic, Loyal, Bold, Confident, Extroverted, Intelligent, and Adventurous.
Bold and Confident
According to Mysticism’s Astrology tradition, Marguerite Carré is someone who is a bold, confident, energetic, and optimistic person, who is able to combine personal warmth and charisma with intelligence. A person who looks for jobs that tend to reflect their identity.
Charming and Sophisticated
Based on Daoism’s Ba-Zi or ‘Chinese Zodiac’ tradition, people who know Marguerite Carré well know them as someone who can be classy, glamorous, and worldly, like jewelry.
Inventive and Clever
According to Hinduism’s Jyotisha or ‘Vedic Astrology’ tradition, many would also describe Marguerite Carré as someone who is flexible, intelligent, and quick-witted.
A person who likes to be creative, and to be recognized for their artistic talents. Who possesses intelligence, mental discipline, and ambition, and who does well in relationships and partnerships.
Assertive and Protective
Based on the Mayan Tzolk’in or ‘Mayan Astrology’ tradition, Marguerite Carré is someone who is a somewhat private person who has a strong personality and ability to read other people.
They are also someone who is charismatic, compassionate, and understanding, and who is interested in expressing themselves through writing, public speaking, or teaching.
Creative and Leadership-oriented
According to Judaism’s Kabbalah tradition, Marguerite Carré tends to be someone who is a natural leader, with determination, motivational powers, and who takes obligations seriously. Who has charisma, a sense of humor, and who tends to attract attention.
Some of Marguerite Carré's challenges
While Marguerite Carré has many strengths, nobody is perfect. They also have some challenging traits they need to manage.
For example, Marguerite Carré can be Arrogant, Self-centered, Status-seeking, Impulsive, Careless, Emotional, and Standoffish.
Arrogant and Status-seeking
One of Marguerite Carré's key challenges is that they are someone who can come across as arrogant and status-seeking.
Unfocused and Indecisive
Marguerite Carré is someone who can be scattered, restless, and insensitive, be distracted by fluctuating professional interests, be a workaholic, and who can be arrogant and have difficulty accepting advice.
Domineering and Stubborn
Finally, Marguerite Carré also can be too rebellious, not respond to criticism well, and be too emotional and extreme about things.