Laurence Kerr Olivier, Baron Olivier, (22 May 1907 – 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.
His family had no theatrical connections, but Olivier's father, a clergyman, decided that his son should become an actor. After attending a drama school in London, Olivier learned his craft in a succession of acting jobs during the late 1920s. In 1930 he had his first important West End success in Noël Coward's Private Lives, and he appeared in his first film. In 1935 he played in a celebrated production of Romeo and Juliet alongside Gielgud and Peggy Ashcroft, and by the end of the decade he was an established star. In the 1940s, together with Richardson and John Burrell, Olivier was the co-director of the Old Vic, building it into a highly respected company. There his most celebrated roles included Shakespeare's Richard III and Sophocles's Oedipus. In the 1950s Olivier was an independent actor-manager, but his stage career was in the doldrums until he joined the avant-garde English Stage Company in 1957 to play the title role in The Entertainer, a part he later played on film. From 1963 to 1973 he was the founding director of Britain's National Theatre, running a resident company that fostered many future stars. His own parts there included the title role in Othello (1965) and Shylock in The Merchant of Venice (1970).
Among Olivier's films are Wuthering Heights (1939), Rebecca (1940), and a trilogy of Shakespeare films as actor/director: Henry V (1944), Hamlet (1948), and Richard III (1955). His later films included Spartacus (1960), The Shoes of the Fisherman (1968), Sleuth (1972), Marathon Man (1976), and The Boys from Brazil (1978). His television appearances included an adaptation of The Moon and Sixpence (1960), Long Day's Journey into Night (1973), Love Among the Ruins (1975), Cat on a Hot Tin Roof (1976), Brideshead Revisited (1981) and King Lear (1983).
Olivier's honours included a knighthood (1947), a life peerage (1970) and the Order of Merit (1981). For his on-screen work he received four Academy Awards, two British Academy Film Awards, five Emmy Awards, and three Golden Globe Awards. The National Theatre's largest auditorium is named in his honour, and he is commemorated in the Laurence Olivier Awards, given annually by the Society of London Theatre. He was married three times, to the actresses Jill Esmond from 1930 to 1940, Vivien Leigh from 1940 to 1960, and Joan Plowright from 1961 until his death.
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Some of their strengths
Laurence Olivier has many admirable traits.
Based on spiritual traditions from around the world, they are someone who can be described as Trustworthy, Perseverent, Smart, Sophisticated, Kind, Passionate, and Charming.
Strong and Diligent
According to Mysticism’s Astrology tradition, Laurence Olivier is someone who is a strong, diligent, and trustworthy person who approaches life with honesty and perseverance, but who is also physical, sensual, and artistic. A person who is a bit of a "lone wolf".
Charming and Sophisticated
Based on Daoism’s Ba-Zi or ‘Chinese Zodiac’ tradition, people who know Laurence Olivier well know them as someone who can be classy, glamorous, and worldly, like jewelry.
Productive and Perseverent
According to Hinduism’s Jyotisha or ‘Vedic Astrology’ tradition, many would also describe Laurence Olivier as someone who is productive, persevering, deliberate, and direct.
A person who is creative, has good luck with work and money, good listening skills, good relationships with people at work, is a good teacher or counselor, and who is good at organizing groups, teams, or causes.
Perceptive and Visionary
Based on the Mayan Tzolk’in or ‘Mayan Astrology’ tradition, Laurence Olivier is someone who has a natural awareness about what is going on in the surrounding environment and the world at large, and a refined vision of how to navigate it.
They are also someone who is creative, expressive, and insightful, and who has a pioneering spirit with self-determination and natural artistic expression.
Patient and Compassionate
According to Judaism’s Kabbalah tradition, Laurence Olivier tends to be someone who approaches life with grace and compassion, and who has a powerful and commanding personality. Who can be analytical, patient, and deliberate, avoiding risks and seeking out stability instead.
Some of Laurence Olivier's challenges
While Laurence Olivier has many strengths, nobody is perfect. They also have some challenging traits they need to manage.
For example, Laurence Olivier can be Stubborn, Idle, Difficult, Perfectionist, Hypocritical, Self-centered, and Possessive.
Stubborn and Idle
One of Laurence Olivier's key challenges is that they are someone who can be seen as stubborn and, at times, lazy.
Possessive and Stubborn
Laurence Olivier is someone who can be possessive, jealous, inflexible, and stubborn, can have a habit of being a frivolous spender, and who can feel insecure or cynical in romantic relationships and have difficulty forming productive personal and professional partnerships.
Materialistic and Aggressive
Finally, Laurence Olivier also can be materialistic, emotional, aggressive, stubborn, inconsistent, and be prone to big temper outbursts.